Ever since I got the Campfire Audio (CA) Vega in late 2016, I really didn’t use anything else. It ticked so many of my boxes, that I was reluctant to return to other earphones. That was until the acquisition of the exciting new Cerakote (CK) Pacific Blue edition of the renowned CA 5BA flagship – the Andromeda. We have reviewed the regular Andromeda previously, so this time around we will change things up and talk about this special iteration with new setups, pairings, and against the context of the current market dynamics.
Disclaimer: The Andromeda CK Pacific Blue and ALO Gold 16 Cable were sent to us courtesy of Campfire Audio. Click here for the product page from the official site.
Opening up the compact and funky blue packaging, we find the usual accessories, comprising of a very stylish tan-colored hard leather case lined with soft wool inside for maximum protection, along with an assortment of Comply, foam and silicon tips, an instruction card, cleaning tool and CA-branded pin. Although we at Accessible Audio have unboxed a great many CA IEMs now, unraveling the Andromeda CK still brings a smile to my face, as everything has the mark of a great deal of thought having gone into it. The box itself looks so discreet and low-profile, just enough to pack all the goodies you need, and has no bloat or wasted space. Everything feels humble, unpretentious, yet very boutique-like.
CA’s trademark attention to detail comes to full glory when the industrially designed, impeccably machined Andromeda CK Pacific Blue got pulled out, its perfectly chamfered edges melding harmoniously with the previously unseen Pacific Blue coating. The ergonomics have been tweaked after early feedback on the debut version, and this latest one fits snugly with no discomfort. This ocean blue finish has a matte texture that feels lovely to touch and is much more robust than the default green anodizing. This dual-low / single-mid / dual-high balanced armature setup is armed with the high quality silver-plated-copper Litz cable that now comes standard with all CA IEMs.
Since we last reviewed the Andromeda with the stock cable, this time around we spice things up by mating it with CA’s mother company ALO (Audio Line Out)’s finest IEM cable – the Gold 16. The cable is itself an art piece and is painstakingly crafted to perfection. The cable resists oil and moisture with an FEP (Teflon) jacket and is low in microphonics. It is incredible how compact the cable is given its high number of conductors. Each conductor is composed of 24 strands of individually pure gold plated OFC copper woven very finely and retains both suppleness and articulation for maximum handability in the field. If you ever feel cheeky, applying counter-pressure at any two points of the cable shows its meticulous and dense weave in a magnificent spread. It gets uncomfortably addictive and is sure to melt many audio nerd’s hearts. Gold 16 also retains a relatively tangle-free profile and this further contributes to its immense usability. Sound-wise, CA states that the combination of gold and copper emphasizes mids and lows, enhances the overall depth and soundstage, and pairs well with balanced armature based IEMs.
And what an accurate description that is. While the standard Litz cable is no slouch, the Gold 16 is a substantial upgrade, both in terms of mechanical construction and the boost it grants the Andromeda in the low end, the richness of the mids, and the staggeringly wide soundstage that stretches expansively across the x-axis. Imaging and positioning of sound elements are scarily accurate, vivid and multi-layered. Running out of the Astell & Kern SP1000 Copper, the Andromeda with Gold 16 oozes details and is exceedingly transparent at all times. The expertly separated tiers of sounds makes the music really pop out, as is evident from Bonobo’s Jets and Towers (feat. Szjerdene).
Migrating from the incredibly bassy Vega, how did I find the bass performance? The short version is that it is an apparently brighter and leaner offering. Coming from more than a year of Vega listening, the Andromeda is a breath of fresh air. What was immediately clear is that the bass no longer rattles your brain, but feels clean, highly textured, and takes on a bouncy and agile character due to the short decay. It no longer lingers and spreads permeating warmth, but each drum hit is still succinctly heard on Sithu Aye’s The Andromedan Pt II: Mystic Village, and have a real sense of articulation, solid impact, and dimensionality to them. Overtime, I have come to appreciate this crisp, linear low-end that unearths tremendous amounts of intricacies. Sure, double bass beginnings of jazz tracks are less atmospheric and realistic than that of Vega’s rendering because the bass is much more neutral and uncolored, but in return it means the Andromeda is much less overwhelming and fatiguing in prolonged listening than its flagship sibling. Make no mistakes about it, on Sasha’s Smile (The Youngsters) the sub-bass is still very deep and sonorous, with a clarity you won’t ever hear in clubs, enough to send your toes tapping to the rhythmic, steady rumble.
Years after its debut, the star of the show for the Andromeda is undoubtedly still the buttery smooth, rich mids and truly soaring highs. CA’s acoustic resonator chamber technology results in refined midrange and an extremely open, airy high-end that infinitely extends and still appears to have more to give. The resultant sound signature is very high resolution, high-fidelity and musical, as heard on WoongSan’s Savannah Woman, Andrea Bocelli’s Champagne and Sissel Kyrkjebo’s If. Vocals are powerful with majestic extension, piercingly transparent, and at times incredibly moving. Timbre of the entire ensemble could be easily made out in Sylvain Gagnon’s Gracias a la Vida, from cello plucks to the cruising smoothness of saxophones. The most complex passages are handled with frightening responsiveness in Kyle Landry’s Fantasy Etude, with melodic piano notes flying off nimbly and accompaniments having just the perfect amount of staying length.
From our experience, the Andromeda is quite source-dependent and plays much better with dedicated players with higher end DACs and amps than running straight from your typical smartphone. Given its less colored signature and all-BA composition, it has a tendency to get a bit harsh, peaky, and distorted when paired with perfunctory sources that have less than ideal impedance values. Its enhanced highlight on upper mids and treble can be brutally revealing if not neutralized with a healthy dosage of warmth either from the cable or the source. Fix up your audio chain and it quickly takes on a very smooth, detailed and high-fidelity reference sound with little to no sibilance and a naturally wide soundstage.
Comparing it with its brothers and sisters in the CA stable, I would say it lacks the affectionate and intimate warmth and meaty embrace of Vega, or the raw viscerality of Lyra II and Dorado, but is more high-fidelity as it has a less full bodied coloration yet still possesses rich tonality and uncompromising clarity. The Andromeda is surprisingly smooth, lacking all the metallic and machinated coldness that is so prevalent in pure BA IEMs, giving a whole meaning of how bass music can sound like.
Bearing a personal propensity to prefer bass-heavy monitors, I never expected to like the Andromeda as much as I do. Nevertheless, I persisted and was rewarded with a taste of how life could be when a completely different tuning approach is imparted into the songs I am very familiar with. In fact, the Andromeda turned out to be the perfect IEM to round out my existing lineup – the special something that completes a truly versatile portfolio of amazing monitors. With textured and articulate bass, superb soundstage, world-class vocals and a treble extension that knows no bounds, the Andromeda occupies a unique throne in the CA lineup. Alongside the thick, aggressive and muscular Vega, the smooth and linear Andromeda forms an unbeatable one-two punch with its flagship partner and spearheads a full-fledged empire of IEMs, perfectly complementary to each other and both essential to own in my opinion. Nicely done indeed, Campfire Audio; or dare I say, impeccably done.
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